Bad gramer, is you're nemeses. Making
sense in the present tense needs to accomplished if you want you're
audience impressing. Does it fit you're topic? Writing a book, or a
pargraph, or a sentence needs the syntact to fit the essence of the
idea. Otherwise your juggling wine bottles and fresh ham. Use the
mind to divine the comma not the mind to divine the comma. Forget a
narrator if you are talking in the first person, I am, the narrator.
I be narration. See, it is simple to write affective prose when all
the cylinders, metaphorically, click like a drum. Lt's take a look
at this sentence; Punctuation is your frenemy. Is it an interesting
addendum to the discussion of good gramer, or is it annoying
distraction. You are the judge * You are the Jury. All roads lead to
Venice should be your Mantra. Verbs do not care. Carry that with you,
run with it and remember it. Nouns know better than adjectives what
the succinctly ordinate roundish glimmering jibe means. As Samuel
Clemens once said, “It ain't you Huck, it's me.”
The paragraph walked out the door.
Flash, boom bang. Be the vowels. Public speaking can a very stress
inducing experience, and the prepared writer will pepper-spray the
audience with amusing anecdotes of the time they missed the bus going
to Albany. Just keep at it and the pieces will fall into place and
you can leave the listener under the spell of your ideas being
literally transcendent of the moment and relieving, for a moment
perhaps, the inconsequential pain and worry of thumbing to Albany.
While technically accurate, putting the
pen to paper can be daunting, at best. Allowing the willow to
somberly wave in the breeze prepares your audience for the next
stanza. Good gramer is always your best bet, especially if the ideas
are ridiculous..
